So I’m not going to lie. I started this quest to read Twilight on a bit of a vendetta. I was reading it so I could trash it with impunity. Those who have voted can bash the president, those who have read Twilight can bash Cullens (only, not physically, cause I admit that I’d get owned). If I got in a couple digs along the way, all the better! But as I read it, I found myself enjoying certain parts. The conclusion was especially satisfying (if you missed that post: STUFF BLOWS UP!!!). And along the way I gained some respect for Ms. Meyer as an author.

Note that I said some. I’m not putting Ms. Meyer on the same level as the masters, current literary novelists, or even other current YA novelists. She uses the talent she has to the best of her ability, and produces a decent story (and several bazillion dollars).

I don’t want to go into “why girls like Twilight.” If you do, I would suggest (not recommend, but suggest) the Oatmeal’s take on it. He does a pretty decent job. He also says a lot of things that Laura would tell me are “inappropriate” and “demeaning to readers of Twilight,” mostly because they’re inappropriate and demeaning to readers of Twilight. But it’s funny. Read at your own risk?

Ms. Meyer succeeded by creating quite possibly the most accessible fantasy world of all time. The universe of Twilight is as far-fetched as the Star Wars universe, in that the things that happen in each would never, ever happen in the real world. Even with the vampirism removed, the central romance of Twilight is about as realistic as a lightsaber. We wish it could happen, and we see things in this world that are really close to it, but there’s just no way we’d ever be able to have that happen.

Do I want to be a jedi? Oh heck yes. Do people want to have an Edward in their lives? Oh heck yes. Will either of these things happen? No, because I’m too old to join the Jedi Academy. And Edward’s taken.

But Ms. Meyer’s success is that it’s way easier to see Twilight happening than even Smallville, Alias, or Spider-man (other “normal person finds themselves wrapped up in enormous excitement” stories). And you say, “well duh, because Bella doesn’t really have powers, and so she’s normal, and people relate,” and so on and so on. I agree entirely, and would gently remind you that Ms. Meyer made a conscious decision to write it that way. She invented the story in a way people would relate to it. Is that not what all authors should want to do?

It’s not bad to enjoy these stories, as long as we remember that these stories are stories. They could never happen. When people start to blur the lines between fantasy and reality, even in subtle ways, that’s when fanboys and fangirls happen. That’s when things get weird. Do we dream of going to Hogwarts? Yes. Do we expect to go there? No. The danger of Twilight is those who would answer yes to both of those questions in relation to Forks. (sidenote: Alan Hussey can tell you how boring Forks actually is. You don’t want to go there)

So I’m forced to say that Twilight has excellent world-creating and plotting. Now, I am not forced to say anything good about the dialogue and prose of the piece, which are abysmal. The excellent world-creating compensates for the inability to actually have her characters talk like normal people. Also, I will never forgive her for describing Edward in obnoxiously repetitive detail. It made me want to punch his perfect, glittering face.

All things considered, I would give this book a C+. Seeing as I went in determined to give it an F–, this is a significant improvement on what I imagined.

Next week: I’m reviewing the Twilight movie. Oh snap.

I don’t feel like writing. I do feel like giving you this: Friends of Irony.

No Sympathy

All Texas fans will be directed to the, “wow, see how much it sucks when that happens?” aisle, where a tape of the 2009 OU/texas game will be playing.

I cheered for you, though. I wanted you to win a lot. I hate the SEC that much.

This is my 200th post. It neatly coincides with my decision to start being more disciplined in posting. I’m going to start using “tags” and “categories,” because I’ve heard that people like these things. Also I’ve heard that they make people be able to find your site. Ah, that. Readership.

An update on projects:

- I “released” the album today. Its “official” release was December 21. I say all these things “in quotations” because when there’s no money being exchanged, it’s very unimportant to have things like “release dates.” Nevertheless, it is now available at this website for free. You can listen to and download the whole thing, and all you have to do is go to www.stephencarradiniandthemidnightsons.bandcamp.com. Honest! I won’t sell your e-mail address to strangers, I swear. Quick numbers: 13 tracks, 5 years to write, 9 months to record, 8 musicians, 7 recording sessions, 4 completely solo tracks, 1 cover song.

-Now that the album is “released,” I’m going to start editing The Last Unicorns on Earth in earnest.

-I want to get re-started on the fantasy project that Peter C. Myers and I started writing this summer but put on hold for the semester while I wrote Unicorns.

-I’m in the plotting stages of my next solo novel. Details are fuzzy, but it looks like there will be a lot less cursing and probably more fight scenes (as odd as that combo seems).

-I’m in the process of making Independent Clauses back into a daily pub (that is, five times a week). It’s going to be a lot of work, but it’s what I want to do.

-Listening to a lot of good music: Post Harbor’s excellent post-rock manifesto “They Can’t Hurt You If You Don’t Believe in Them,” Freelance Whales’ Myspace at the urging of my friend Jenn Scott, and Wild Light’s Myspace because of my friend (and incredibly talented illustrator) Jason Flack.

So, it’s been a while, dear readers. Since we last met, I drove 120 miles through fourteen inches of falling snow. It took five hours. I also graduated college! It took 130 hours. I finished my album (absurd amount of hours) and my novel (really not that many hours at all, comparatively). Now I’m back to reading, commenting, and being snarky about Twilight.

I must say from the onset of this essay that I really enjoyed the last five chapters. And why not? There are chase scenes, escapes, fight scenes, things blowing up, people dying, hospital visits, deception, treachery, some random twists I don’t understand, and did I mention stuff got blown up?!. In short, the back half of Twilight part two is an action movie, and there’s no reason I can’t enjoy that.

Also, Edward is pretty much not even in these chapters. That’s a bonus. Furthermore, Bella spends most of her time flipping out about her mom and not about Edward. Double bonus.

People have brought up previously that they could have accomplished killing James in the field during the baseball game instead of later in the book. Au contraire! They would not have been able to blow stuff up in the baseball field. Also, baseball it’s a gentleman’s sport. Now if they were playing basketball, then Edward and James could have pulled guns on each other. No, wait. Those were wizards.

Also, there was some sort of subplot thing going on with Alice that mostly served to confuse me. I usually backtrack and re-read relevant subplot things when the subplot becomes important later in the book, but seeing as the subplot was resolved in a couple lines of dialogue, I never went back to investigate the depthiness of the plot. I’m pretty sure it was your standard “the one who got away” thing. Only Bella isn’t Meryl Streep, and he doesn’t want to re-unite with her years later and make a romantic comedy about it.

But lets all remember this: they burned that dance studio to the ground, suckaaaaa. That’s pretty much the best thing that happened in these chapters. They wrecked the place, then torched it. Pretty much like a criminally minded rock band. Of Vampires. Bet you ten bucks Edward’s the lead singer and Emmett plays bass. I’ll have you notice I avoided making another Vampire Weekend joke.

So yes, mad props to the end of Twilight pt. 2. I enjoyed it immensely, and was even satisfied by the epilogue, which was a fitting end to the novel as a whole.

Next Tuesday I will give my assessment of the entire book as a whole. Then I will move on to New Moon, by popular demand. Huzzah. Cape Cod Kwassa Kwassa!

Autocomplete Me: People submit screenshots of the most ridiculous autocompletes they can find. It never ceases to amuse me. Just remember: these occasionally horrible and always hilarious thoughts were actually searched. And that makes it even funnier. It’s like when you walk behind two people for a while and overhear a completely ridiculous conversation that they’re taking very seriously.

Yes. At least for today, I am autocompleted.

Projects

I am close to being done with several projects.

All the words are in on my manuscript The Last Unicorns on Earth. I just need to edit it. Then the real fun begins.

All that needs to be done on my album How We Lived is mail out the link to the free album online, burn the discs for the 20 hard copies I hand-crafted, and distribute said lovingly made pieces.

“Getting caught up” is a nebulous concept when it comes to Independent Clauses, but I’m going to do my darndest to not take submissions until my current stack is below seven CDs. This does mean working like a banshee (to mix your metaphors). But I really want to get there.

Other than that, I’m just adjusting to life not as a college student. You know, the usual.

I’m impressing myself with my prolific songwriting abilities. As I’m on the verge of releasing How We Lived (December 26, get ready!), I notice that I’ve already written eight full songs and about a dozen song fragments for my next Stephen Carradini and the Midnight Sons album. I decided to go back and look at my songwriting by the numbers.

41 full songs

8 releases

5 albums (as Jacksonism: Image is Nothing, Living is Everything. With Tragic Landscape: Jessica Brown Was Here, Job. As Stephen Carradini and the Midnight Sons: How We Lived, Unnamed future album)

2 EPs (Jacksonism: The Sea In Us Will Ever Breathe. Tragic Landscape: The Great War.)

1 Single (Jacksonism: Tell Your Kids.)

11 people played/sang on my songs

7 years

That’s a lot of songs.

THE END

I finished my last final today. This is unnecessary information for anyone but those intimately acquainted with the disdain I feel towards most homework. And maybe those who feel like donating to the “Stephen Carradini is poor” fund.

I am a bit behind in my writing; I finished reading Twilight last week. As I have already had the book reclaimed from me (literally – she snuck into my house without my knowledge, leaving nothing but gifts and Christmas cheer in her wake), I will be blogging from memory.

There are two major things I remember from chapters 16-20 that aren’t the usual fawning and creepiness: baseball and James. Vampire baseball was described in an incredibly intriguing manner. I think she left out the part where Vampire Weekend plays “Take Me Out to the Ballgame” as the seventh inning stretch, but that’s okay. The rest of the game entertained me, as well as the description of how and why they needed to hide their game. This did bring up some interesting questions, though: does the vampire venom count as a performance-enhancing drug? Should Edward Cullen be playing in the sunless Metrodome for the Minnesota Twins? Is Mark McGwire actually a vampire? How do vampires feel about a designated hitter?

These thoughts were immediately pushed aside as THE MOST EVIL CREATURE IN THE WORLD EMERGED FROM THE FOREST WITHOUT ANY PRIOR WARNING. I am not exaggerating the abrupt qualities of his entrance. In one page, he does not exist; two pages later, all the main characters are running for their lives (literally and metaphorically). Talk about making an entrance. Neither am I exaggerating the depravity of James’ character: we are supposed to believe that James is evil to the core. The only explanation for why he’s evil? “That’s how he is.” I’ll give you an extra line to let that sink in.

wow.

I would be okay with the most evil character in the world appearing if there had been some foreshadowing before. I do not agree that the first two pages are foreshadowing; they tell us the end of the story, not drop clues. They’re meant to hook, not enlighten. There are no clues dropped whatsoever about the lurking presence of the blackest of black souls. Alice’s continued weirdness does not count, because seriously, she could be freaking out over seeing World War III. Who knows what she’s freaking out about. Doesn’t count as foreshadowing.

After James lands in a meteoric crash, Twilight pt. 2 starts. Part One was all about romance or something. Part two is about a cross-country chase. The parts have the same characters, but almost nothing to do with each other, in that the things that Bella does in part two (self-sacrifice, most notably) have almost no correlation with her sensational self-absorption in pt 1. If this had happened gradually, it would be called character development. In the Meyer context, it’s a bit over-the-top (as Bella/Ms. Meyer tends to be). Regardless, the plot moves quickly, the action is interesting, and the dynamics of the characters are put in the forefront (stress tends to do that). As such, chapters 16-20 were the best chapters thus far, mostly because something happened. Even if it did happen illogically.

Conclusion: her editors told her she needed more fight scenes right about this point in the book.

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